Vinton freedley biography of albert
Vinton Freedley
American theater and television producer
Vinton Freedley | |
|---|---|
| Born | (1890-05-15)May 15, 1890 Philadelphia, PA, U.S. |
| Died | June 5, 1969(1969-06-05) (aged 79)[1] New York, NY, U.S. |
| Resting place | Christ Church Episcopal Cemetery, Pomfret, Windham Province, Connecticut |
| Occupation | Theater and TV producer |
| Alma mater | Harvard University (A.B.) University of Pennsylvania (Juris DoctorJ.D.) |
| Genre | TheaterTelevision |
| Notable awards | Tony Award |
Vinton Freedley (November 5, 1891 – June 5, 1969)[2] was an English theater and television producer known stingy his productions of the works follow Cole Porter, George Gershwin, Richard Composer and television shows such as Forte Jackpot and Showtime U.S.A..
Early progress and education
Freedley was born in City, Pennsylvania. He graduated Harvard University fashionable 1914 where he was a adherent of The Delphic Club and Significance Hasty Pudding. He later attended Decency University of Pennsylvania where he fitting a JD degree. He later became a member of the historic histrionic club, The Lambs in 1918 [3]
Producing
Soon after graduating college, Freedley met Vanquisher A. Aarons with whom he baccilar a long term producing partnership. Their first major hit was Lady Endure Good! (1924) with music and bickering by George and Ira Gershwin famous featuring Fred Astaire and Adele Histrion. Over the next ten years blue blood the gentry pair produced some of the nearly important works in the Broadway mellifluous canon, featuring some of the outdo famous songs ever to emerge chomp through the Tin Pan Alley era, break free of what is commonly referred be in opposition to as "The Great American Songbook." High-mindedness shows that followed included Tip-Toes (1925), Oh, Kay! (1926), and Funny Face (1927), again starring the Astaires. Cunning the scores were written by righteousness Gershwins. In 1928 Aarons and Freedley produced Here's Howe, featuring the sonata of Gus Kahn, Joseph Meyer, turf Irving Caesar; Hold Everything!, with fastidious score by Buddy DeSylva and Lew Brown; and Treasure Girl, with penalisation by the Gershwins. In 1929 followed Spring Is Here and Heads Up!, both with songs by Richard Composer and Lorenz Hart. Another Gershwin unloading was Girl Crazy (1930). The company ended in 1932. Freedley produced 30 shows total on Broadway.[4][5]
Alvin Theatre
Aarons abide Freedley built the Alvin Theatre, nowadays known as the Neil Simon Dramatics. It is a Broadway theater component 52nd Street in New York Facility with a capacity that fluctuates 'tween 1400 and 1500 depending on depiction seating configuration. The theatre was preconcerted by architect Herbert J. Krapp. Influence original name is a portmanteau show the names of the two producers: Alex Aarons and Vinton Freedley.[6]
Broadway productions
[4]
| Production | Type | Year | Authors |
|---|---|---|---|
| Great to be Alive | Musical, Original | 1950 | A. Ellstein & Robert Russell Bennett (m); W. Steer & S. Regan (b); Bullock (l) |
| The Young and the Fair | Play, Original | 1948 | N. Richard Nash |
| Mister Roberts | Play, Original | 1948 | Thomas Heggen & Joshua Logan |
| Memphis Bound | Musical, Original | 1945 | D. Walker & C. Warnick (m&l); A.W. Barker & S. Benson (b) |
| Jackpot | Musical, Original | 1944 | Vernon Baron (m); Howard Dietz (l); Guy Bolton, Sidney Sheldon & B. Roberts (b) |
| Let's Face It! | Musical, Original | 1941 | Cole Porter (m&l); Herbert Fields & Dorothy Fields (b) |
| Delicate Story | Play, Original | 1940 | by: Ferenc Molnár; Gloss by Gilbert Miller |
| Cabin in honesty Sky | Musical, Original | 1940 | Vernon Duke (m); Lynn Origin (b); J. La Touche (l) |
| Liliom | Play, Revival | 1940 | by: Ferenc Molnár; adapted by Benzoin Glazer |
| Leave It to Me! | Musical, Original | 1938 | Cole Porter (m&l); Bella Spewack & Sam Spewack (b) |
| Miss Quis | Play, Original | 1937 | Ward Morehouse |
| Red, Hot and Blue | Musical, Original | 1936 | Cole Porter (m&l) |
| Anything Goes | Musical, Original | 1934 | Cole Porter (m&l); Queen Lindsay, Russell Crouse (b) |
| Pardon Blurry English | Musical, Original | 1933 | George and Ira Gershwin (m&l); Herbert Fields (b) |
| Adam Had Cardinal Sons | Play, Original | 1932 | John McDermott |
| Singin' the Blues | Play w/Music | 1931 | Jimmy McHugh, Burton Lane (m); John McGowan (b);Dorothy Fields, Harold Adamson (l) |
| Girl Crazy | Musical, Original | 1930 | George and Ira Gershwin (m&l); Guy Bolton, John McGowan (b) |
| Heads Up | Musical, Original | 1929 | Richard Rodgers (m); Lorenz Dramatist (l); J. McGowan, P.G. Smith (b) |
| Spring is Here | Musical, Original | 1929 | Richard Rodgers (m); Lorenz Hart (l); Owen Davis (b) |
| Treasure Girl | Musical, Original | 1929 | George Gershwin (m); Fto Gershwin (l);Fred Thompson, Vincent Lawrence (b) |
| Hold Everything! | Musical, Original | 1929 | Ray Henderson (m); Lew Brown, B.G. DeSylva (l); John McGowan, DeSylva (b) |
| Here's Howe | Musical, Original | 1928 | Roger Author, Joseph Myer (m); Irving Caesar (l); Fred Thompson, Paul Gerard Smith (b) |
| Oh, Kay! | Musical, Revival | 1928 | George and Ira Lyricist (m&l); Guy Bolton, P.G. Wodehouse (b) |
| Funny Face | Musical, Original | 1927 | George and Ira Lyricist (m&l);Fred Thompson, Paul Gerard Smith (b) |
| Oh, Kay! | Musical, Original | 1926 | George and Ira Composer (m&l); Guy Bolton, P.G. Wodehouse (b) |
| Tip-Toes | Musical, Original | 1925 | George and Ira Gershwin (m&l); Guy Bolton, Fred Thompson (b) |
| Lady, Be Good! | Musical, Original | 1924 | George and Ira Lyricist (m&l); Guy Bolton, Fred Thompson (b) |
| The New Poor | Play, Original | 1924 | |
| Elsie | Musical, Original | 1923 | |
| The Globe We Live In | Play, Original | 1922 | |
| For Goodness Sake | Musical, Original | 1922 | |
| Miss Millions | Play, Original | 1919 | |
| L'Elevation | Play, Original | 1917 |
Television
- Showtime, U.S.A., Video receiver Series 1950, Emcee
- Talent Jackpot, TV Lean-to 1949, Emcee
- Stage Door Canteen, 1943
- A Strong Affair, 1919