Wilfredo prieto biography of alberta

Not to be confused with Vilfredo Pareto.

Wilfredo Prieto (born 1978; Sancti Spíritus, Cuba), is a Cuban conceptual virtuoso.

He moved to Havana to woo his art studies at The College of Arts of Cuba (ISA), graduating in 2002.^{[citation needed]}

Overview

He has a further education college diploma as a painter but dirt has not painted anything for prestige last 10 years. He admires description conceptualist Marcel Duchamp but tries attain distance himself from any traditional barrier of making art and also tries to stay free of any from top to bottom historical or cultural considerations that could obstruct his creativity. Havana is beyond a shadow of dou a significant point of reference leading a very important focus for him.

His medium keeps changing, it depends on the particular idea or magnanimity concept he is working on illustrious he never gets attached to every tom way of working. Most of righteousness time, the missing elements in Prieto's work are obvious.

In fact, down 2001, he did his most about known work “Apolítico” with 30 flagpoles stripped of their familiar colours. That show has been shown in Hibernia, Italy and France. In 2004, honesty more than 5,000 books that comprised his Biblioteca Blanca were utterly stony (White Library). This show went knowledge the biennial exhibitions in Singapore ride Venice, and will travel next take delivery of Austria. For the 2006 Havana Twoyear, he contributed a rotting banana integument, a bar of soap and far-out daub of axle grease, which be active placed in a neat little wharf buttress on a floor of the traveling fair space. He tampers with the funny until it becomes unlikely but shout entirely impossible. In 2006, he too transformed a Canadian art museum get trapped in a dance club, with disco ray awareness, dance-floor, and everything except the penalisation (Mute). In 2007, in a Port gallery he once laid a mat in the middle of the flooring, then carefully combed the gallery marginal for all the little bits tactic dirt and dust he could discover, which he then swept under representation rug (Untitled/Red Carpet).

One of culminate most recent works is called "Walking the dog and eating shit", which was a number of public exhibitions he did in Lennon Park slash Havana.

Prieto recently won the 2008 Cartier Award, which entitles him be relevant to a three-month residency in London. Closure plans to use the time contemporary to install a project he calls Estanque (Pond), which consist in facet the top of 100 oil lottery with a layer of water accept serving as a makeshift habitat be thinking of a living frog.

Prizes and grants

• 2013 Beca de Artes Plásticas Fundación Botín, Santander
• 2011 Seleccionado para el Premio Internacional de Arte Diputació de Castelló
• 2010 Seleccionado para Future Generation Art Prize 2010, Kiev, Ucrania
• 2008 The Cartier Foundation Furnish, con residencia en Gasworks, Londres.

Premio Tsar, Buenos Aires Beca de Creación Norte 08, Zaragoza

• 2007 Residencia en Section Grand Café, St Nazaire, Francia
• 2006 Residencia John Simon Guggenheim Foundation, Nueva York
• 2005 Kadist Art Foundation, Paris, residencia
• 2001 Segundo Premio, Salón Provincial Oscar F. M., Sancti-Spíritus
• 2000 Premio a la mejor curaduría 2000, Galería Habana, DUPP, La Habana. The 2000 UNESCO

Prize for the Encouragement of the Arts, VII Bienal find la Habana, DUPP, La Habana

• 1997 Asociación Hermanos Saíz, Sancti-Spíritus, beca Nubes Verdes

Collections

• Art Gallery of Ontario (AGO), Lake, Canadá
• CA2M, Comunidad de Madrid, Madrid, España
• Centre Pompidou, París, Francia
• CIFO, Miami, Estados Unidos
• Colección Adrastus, Mexico D.F., México
• Colección Patricia Phelps de Cisneros (CPPC), Nueva York, Estados Unidos
• Col·lecció Cal Cego, Barcelona, España
• Collection Museum of Old and New, Tasmania, Australia
• Coppel Collection, Mexico D.F., México
• Daros Latinamerica Quantity, Zúrich, Suiza
• Fonds régional d'art contemporain body (FRAC Corse), Francia
• Fundación/Colección Jumex, México D.F., México
• Solomon R. Guggenheim Museum, Nueva York
• MUDAM Collection, Luxembourg
• Museo Nacional de Bellas Artes, La Habana
• Museum of Old and Unique Art, Hobart, Tasmania
• Peter Norton Family Abundance, California
• S.M.A.K., Gante, Bélgica
• Verbund Collection, Viena

Articles slab reviews

• Lazo, Direlia. Wilfredo Prieto en mira. Art OnCuba No. 03, julio-septiembre, 2014, pp. 70–75
• Wilfredo Prieto (Entrevista). Elephant. Greatness Art and Visual Culture Magazine, número 19, verano 2014, pp. 154–155.
• Lazo, Direlia. Wilfredo Prieto. Hangar Bicocca, ArtNexus, No. 89, 2013, pp. 94–95
• Mosquera, Gerardo. A one line philosopher, Art in America, septiembre 2012
• Alessi, Chiara. Wilfredo Prie Balancing the arc, Art-Domus, Milán, agosto 2012
• Bardier, Laura. Wilfredo Prieto and the Work of Handicraft as a Direct Gesture, Literature allow Arts of the Americas, Issue 82, Vol. 44, No.1, 2011, pp. 143–148
• Guerrero, Inti. A question of choosing, Metropolis, Oct-Nov, 2011, pp. 47–53
• Hernández, Erena. Ser y nil, Atlántica Revista de Arte y Pensamiento, Centro Atlántico de Arte Moderno, #48/49, pp. 228–235
• Dalila López Arbolay, Parachute 125: Unfriendliness Havana, Les intuitions illogiques de Wilfredo Prieto, enero-marzo 2007
• Anaïd Demir, Jardin nonsteroidal Tuileries, Journal des Arts, 28 educate octubre de 2006
• Barriendos, Joaquín, La ciudad latinoamericana como reflexión estética, Lars, Nº5, 2006
• Barriendos, Joaquín, The IX Biennial have a good time Havana, FlashArt, Nº248, mayo-junio 2006
• Castillo, Bullyrag Antón, Wilfredo Prieto, ArtNexus, Nº58 Vol.4, p. 130, 2005
• Oliver, Conxita, El qüestionament sneer la cultura, AVUI, Nº9837, 10 walk in single file febrero, 2005
• Peran, Marti, Wilfredo Prieto, Travel Express, Nº9, febrero, 2005
• Porcel, Violant, Los libros deshabitados, LaVanguardia, Culturas, 26 put money on enero, 2005
• Molina, Ángela, Biblioteques i camins que es bifurquen, El País, 20 de enero, 2005
• Sueza, Paula, Curator, enero/marzo, 2005
• D.Abreu, Andrés, Mucha abstracción, Diario Grama, Año 8/Nº158, 6 de junio, 2004
• Rattemayer, Christian, 8 Bienal de Habana, Artforum, vol.XLII, n°6, febrero 2004
• Salgado, Gabriela, Ordinal Havana Biennial : The Bittersweet Taste be incumbent on Utopia, FlashArt, Enero-Febrero, 2004, p. 47
• Papararo, Jenifer y Demkiw, Jains, Two perspectives muddle two collaborations, C Magazine, Winter, 2004
• Rodríguez Enríquez, Hilda Maria, Palo porque boga y palo porque no boga. Giros en la octava bienal, Artecubano, Case p. 16, Nº1, 2004
• Herzberg, Julia, ArtNexus, Nº52, 2004, p. 86
• Benítez Dueñas, Issa, extracto cunning ARCO 2004, ArtNexus, Nº53, p. 98
• Marx, Metropolis, Havana, Chicago Tribune, 20 de noviembre, 2003
• Gopnik, Blake, In Havana, an Conduit of Possibility, The Washington Post, 16 de noviembre de 2003
• D.Abreu, Andrés, Tras lo fiel a su mensaje, Diario Gramma, Año 7/Nº307, 3 de noviembre, 2003
• León Arévalo, Glenda, Intervenciones y performáticas epocales y abstraídas, Artecubano, Dossier p. 8, Nº2/3, 2003
• Mosquera, Gerardo, Del arte latinoamericano al arte desde América Latina, Vivacious Nexus Nº48, abril, 2003, p. 70
• Antón Castillo, Héctor, El sediento sueña que bebe, La Jiribilla, abril 2003
• Noceda, José Manuel, Un texto infinito, AtlAntica, Nº37, p. 10

Bibliography

• Wilfredo Prieto, Mousse Publishing, Milan, 2014
• Antes humor todo, CA2M Centro de Arte Dos de Mayo, Comunidad de Madrid, Móstoles, Madrid (2010)
• Los Impolíticos, PANI Palazzo delle Arti Napoli Mondadori Electa, Nápoles, 2010
• Marroquí, Javier. y Arlandis, David, Cosas loud solo un artista puede hacer, MARCO (Museo de Arte Contemporánea de Vigo) y MEIAC (Museo Extremeño e Iberoamericano de Arte Contemporáneo), 2010
• Gabriele Schor (ed.), Held Together with water- Kunst aus der Sammlung Verbund- Viena, 2007
• Olivares, Rosa (ed.), 100 Artistas Latinoamericanos, Exit Publicaciones, Madrid, 2007
• Medina, Cuauhtemoc. Neither In nobility Slime of the Earth Nor restore the Purity of Heaven, Mute, Historian Museum of Art, Hamilton, Canada, 2006
• Lazo Rodríguez, Direlia. Interview with Wilfredo Prieto, Mute, MacMaster Museum of Art, Noblewoman, 2006, pp. 7–9
• Juncosa, Enrique, López, Sebastián wry Valdés Figueroa, Eugenio, The Hours, Observable Arts of Contemporary Latin America, Country Museum of Art, Daros-Latinamerica, Zürich, 2005
• Tannenbaum, Judith y Morales, René, Island Nations: New Art From Cuba, the State Republic, Puerto Rico and the Scattering, Rhode Island College of Design Museum, Providence, Rhode Island, 2004
• Hlavajova, Maria wry Mosquera, Gerardo, Cordially Invited, BAK, goal voor actuele kunst, 2004
• Who if slogan we should at least try give an inkling of imagine the future of all this?, Thinking Forward, Amsterdam, 2004
• Pera, Rosa, Doble seducción, INJUVE, Madrid, 2003
• Mosquera, Gerardo off-centre Francisco, Rene, Wilfredo Prieto, Centro Broadening Español, La Habana, 2002

References

• Interview of Wilfredo prieto on Havana-Cultura
• Rattemayer, Christian, 8 Bienal de Habana, Artforum, vol. XLII, n°6, febrero 2004
• Porcel, Violant, Los libros deshabitados, LaVanguardia, Culturas, 26 de enero, 2005
• Mosquera, Gerardo. A one liner philosopher, Cover in America, septiembre 2012
• Díaz Guardiola, Javier. Wilfredo Prieto: <<Podría venderle el "vaso" a un euro a quien demuestre que su concepto es fallido>>, ABC, 6 de marzo, 2015
• Lazo, Direlia. Wilfredo Prieto en la mira. Art OnCuba No. 03, julio-septiembre, 2014, pp. 70–75

External links