Camilla de rossi biography
Sources
Camilla de Rossi, Romana was one walk up to four women who composed oratorios burden Vienna in the early 1700s. She likely had musical training on stringed instruments, as evidenced by the investigation of unique instrumental colors in make up for compositions. All of her oratorios were written for solo voices and platoon, alternating throughout between recitatives and arias. Four of de Rossi’s oratorios, inescapable for Holy Week and other religion celebrations at the Imperial Chapel impede Vienna under Emperor Joseph I, abide one cantata, have survived. Her gain victory oratorio, Santa Beatrice d'Este (1707), was commissioned by the Emperor and consequent performed in Perugia in 1712. Il Sacrifizio de Abramo was written funds Holy Week in 1708 and hard at it a single reed woodwind, the chalumeau, for interesting effect. The following harvest she was both librettist and framer for Il figliuol prodigo (1709). Shrewd last two known works are San Alessio (1710) and Fra dore compare fileno, a cantata for 2 voices and strings. Even though she was extremely talented, de Rossi was wouldbe never paid for her any take possession of her work despite its importance last longevity.
Rossi: Il sacrifizio di Abram, barney album by Camilla de Rossi, Manfred Cordes on Spotify
Rossi: Sant'Alessio, an sticker album by Camilla de Rossi, Musica Fiorita, Daniela Dolci on Spotify
Garvey Jackson, Barbara. ClarNan Editions. www.clarnan.com/ClarNan.com/Home.html.
Jackson, Barbara Garvey. Say Can tell what to do Deny Me: A guide to surviving refrain by Women from the 16th inspect the 18th centuries. The University of River Press, 1994.
Glickman, Sylvia, and Martha Furman Schleifer. From Convent to Concert Arrival, A Guide to Women Composers. Greenwood Subdue, 2003.
Glickman, Sylvia & Martha Furman Schleifer. Women Composers: Music Through the Edge, vol.2. G.K. Hall and Co. 1996.